CLIENT
Royal Aviation Museum of Western Canada
YEAR
2022
ᐃᓂᓭᐤ | THUNDER BIRD
I drew inspiration from the tipi rosette motif used in beadwork and quillwork. Tipi rosettes are characterized by the four cardinal directions and often feature a section of horsetail to honour the Thunder Beings. This motif is seen on tipis, parfleche bags, medallions and regalia. I wanted to utilize this symbol to honour the Thunderbirds or Pinisew in Cree. One is in the back of the piece, and one is in the centre of the Mother's chest. This is to show the children embracing her, the culture and their identity.
Thunderbirds are the keepers of truth, and protectors of Earth and human beings. They have the power to create and the power to destroy. We work and honour them as sacred beings because of this vital relationship. Much like I view the importance of Thunderbirds to my culture and my own spiritual practice, I also view aviation and airline services within Northern communities with similar sentiments.
Aviation is a lifeline and is vital to the health of our communities. Many people rely on airline services for food, medical and work. It would be devastating to be without these services - especially in remote locations where you can only get in and out by plane.
I also referenced northern lights through the lines dancing around the composition. The northern lights are ancestors dancing in the sky, celebrating life and our existence. My goal with this piece was to highlight the meaningful relationship that acts as a lifeline to these Indigenous communities and reach out to those who rely on airline services.
